Welcome to the Classical Guitar website of Rob MacKillop.

The aim of this site is to encourage those who wish to play classical guitar without using finger nails. It is also the home of my own classical guitar studies.

Using the flesh of the fingers to generate sound on the guitar has a long and distinguished history. Whether you play without nails through aesthetic choice, or through medical necessity, hopefully there will be something on this site to help and encourage you. Please use the Comment areas if you have something to say, pro or contra.

I will be embedding sound files and videos of my own recordings and performances, and there is a Players page, with videos and information about some the great nail-less players of the past and present. Feel free to send me links to your own files and videos, or to those of other players.

If you are looking for lessons, I teach privately in my home studio, or via Skype or FaceTime. Details HERE.

Pujol: “In order to produce the tone with the fingertips that Tárrega did, it does not suffice to cut one’s nails short; the tone has to be formed: i.e., a certain balance between touch, resiliency and resistance must be developed in the flesh of the fingertips, which can only be acquired by constant practice and care.” [Dilemma of the Timbre of the Guitar]

Rob MacKillop
robmackillop at gmail dot com

“So, tell me again why you play guitar without nails…”


26 thoughts on “Welcome

  1. Hi Rob,

    After thirty years away from the guitar, playing and teaching only lute (see my site for details), I’ve gone back to playing guitar, and have ordered a copy of Torres FE17 from my luthier Richard Berg in Ottawa (delivery expected early next year).
    Two things:
    1) I, too, play without nails (and did during most of my first ‘guitar period’ (’80-84).
    2) All my lutes are strung in gut, and I intend to string my new Torres copy in gut, but am having a little trouble finding sources for gut strings designed for classical guitar.
    Any suggestions as to a vendor or vendors?




    • Hi Tim. I’ve known your name for some time now. Nice to cross paths.
      On your side of the ocean, I’d opt for gut strings by Damian Dlugolecki – see my STRINGS page. But he doesn’t supply silk-core basses. For those you have to go to Aquila. Aquila have a Gut and Silk set tailored to measurements given by Pujol. My recent experience is that their basses are great, but I much prefer Dlugolecki trebles.
      Best wishes, and enjoy your FE17!


  2. Fantastic site Robert, I have recently started learning classical guitar and due to a childhood accident I play without nails. I am enjoying your videos and articles on flesh playing. Thank you for providing me with much needed inspiration to keep picking up the guitar every day.


  3. Rob,
    For the past 40+ years, I have been primarily an electric blues player. Now that I am getting too old, grouchy, and deaf, to play in clubs anymore, I have become interested in revisiting my college interest in fingerstyle and classical. Right away, my nails were an issue, as it seems like no sooner would they get to the desired length (so I thought), I’d break one. About a year ago, I started getting acrylic overlays and gel coatings, with mixed results. Having hard and unbreakable nails was great for consistency, but as the edge of the nail was significantly thicker than a real nail, I have never quite gotten used to the sound. Recently, I decided to give my nails a break from being covered all the time, and I was shocked at how much thinner and more brittle my natural nails are, after a year of overlays. Your website, and your no nails technique, has been a welcome revelation, as I was despairing about the difficulty I have experienced trying to conform to the conventional “must have nails” wisdom. Thank you for sharing! I look forward to experimenting, free from the feeling like there is “no way to get a good sound without nails”!

    Aloha from Hawaii,


  4. Thank you Rob for all wonderful information on your site. A new hope for me since I can’t grow long nails due to my occupation. I love your sound!


  5. Hi, Rob. I found this site through your Youtube videos. I’ve been playing electric guitar for a while and recently decided to switch to classical. I love the sound that is produced by my guitar and am having trouble deciding whether to use flesh, nails, or a combination of both. When I first got my classical and started playing around with fingerstyle, (I’ve never had any formal training) my hands naturally started in a position not much different from what you were describing on your video about your technique. I have been going through a few method books and all the stuff they recommend for your nails, and it looks like it would be expensive and just plain inconvenient for me, as I work at a shipping company where I use my hands a lot. After I found your site, I’m tempted just to play like my hands wanted me to in the first place. Thank you for the inspiration.


  6. Hi Rob – I just came across you while watching a David Stewart YouTube video. I am glad I saw your video. I have always had problems keeping nails to play. I cannot says that I’ve ever seen this concept before. Everyone that I read and watch preaches nails. Thanks for this site. Much to take in now.


  7. Rob, Are you planning to upload a video with you playing on your new Stephen Faulk’s guitar? It would be great to hear. Thanks.


  8. Dear professor Rob McKillop, my kind and cordial greetings …

    I hope this message comes to you as an encouragement and a great boost of joy to your work.
    It is a brief and simple message.
    Here in Brazil after having spent a few years playing Bossa Nova and Popular Music from Brazil, for many reasons and also for economic reasons, I left my studies.
    After watching your video playing Tu Recuerdo by Estanislao Marco, I was very touched, sensitized.

    Fitting the right hand without nails and the way of you playing I decided to turn back my studies after 10 years without playing the acoustic guitar and I continue to pursue classical instruction.
    It was a great boost to see you play here on the internet. I keep watching your videos.
    The sonority of your style had continued for me as a great reference.
    Even in the face of the economic difficulties we have here in Brazil, it touched my heart and I decided to turn back my studies without a teacher.
    From here my hugs from Brazil. Thank you so much for all information I find in your web site. THANK YOU SO MUCH sr!!!
    May the Light of Christ illuminate your work.

    Sincerely, Edgar Luiz.

    Sorry for my bad English.


  9. Your site is so refreshing. I learned to play on my fingertips. My teacher had studied with a teacher in New Mexico who had studied with Emilio Pujol. I tried playing on my nails for a while and soon concluded that the sound of fingertips was far superior. It was more mellow and expressive. The problem is all the other classical guitarists I talked to assumed that Segovia’s style was the only orthodox method. I don’t think they even took me seriously. Over the years i have searched for performers who play on their finger tips. I found Alberto Ponce has some wonderful recordings. I think he studied with Pujol. I am so glad to see there is an emerging world of finger tip performers seeking well deserved acceptance following in the footsteps of Sor and Tarrega.


    • Great to hear from you, James. Close to the source – Pujol seems to have been a great teacher, carrying the flame after Tãrrega died. Good to see so many flesh players coming out of the shadows.


      • Last year, I responded to the GFA’s call for proposed lectures at their 2018 seminar, and offered a presentation on nailless playing, based on my nearly 40 years of lute and guitar playing (virtually all of that–including guitar–without nails). I was later informed that my proposal was not accepted. When I followed up with the person who notified me of their decision and lamented the utter lack of attention paid to the nailless community by the GFA, she did not disagree. We’re in a minority, but a growing one–and we represent a long tradition.

        In 1980, when I attended my first guitar master class (with Michael Lorimer), the other players were dismissive of my decision to play without nails (Lorimer was very respectful on the subject). Among other things, they felt it prevented one from developing velocity. Oh, if only there had been Youtube back then, with videos of Pujol and others playing without nails!


      • Nice post. It’s a familiar story, and somewhat lamentable. But the times they are a-changing, and more and more people are beginning to see virtue in flesh playing. Hopefully there is a growing tolerance towards it. Apart from a few very aggressive modern works which demand strong nails, much of the repertoire can be played very successfully without them. Anyway, best wishes for the future, and thanks for your comment.


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